Tag Archives: story ideas

Book Review: The Art of Screenplays by Robin Mukherjee

Screenwriting is a creative process and like all creative things, it’s a bit messy. Not that you’d think it reading some of the screenwriting books out there. Robin Mukherjee’s The Art of Screenplays: A Writer’s Guide is a rare thing – a screenwriting book that talks about story structure but never loses sight of what it’s really like to be a writer, in the middle of that messy, exciting, sometimes bewildering creative process.

book review - the art of screenplays - robin mukherjeeThe book covers the key areas of screenplay development; how to gather, ferment and communicate story, understanding structure through observation, exploring character, developing theme and the art of writing dialogue. It’s all in there and you’ll learn everything you need to know to craft your polished script but in a way that resonates with you.

His section on the early stage of developing a story was particularly helpful because it reflects that very random, bitty part of the process that so many screenwriting books skip over. It’s hugely reassuring to hear that you’re not alone in starting with moments and scenes and ideas and characters and plot beats all in a confused muddle and not necessarily even part of the same piece of work. Yes, the finished screenplay will have a very particular form and shape and there are expectations it probably should meet if it’s to ‘wow’ the industry. But The Art of Screenplays dives in to the swamp of ideas and ‘stuff’ with you and helps you to navigate your own way from the creative muddle to that finished script.

It’s become one of the books I recommended most often to writers. Because it’s written by such an experienced screenwriter, it really speaks to writers. So many screenwriting books are analytical; they are great at dissecting what makes up a successful screenplay, so you know what you’re aiming for. Some even take you through the process, step by step, in a very specific order – first you have your concept, then you add some characters, and so on until, voila – you’ve crafted the perfect script! But none of that has ever felt connected to the experience of actually creating something original.

It is also one of the most beautifully written books about screenwriting that I’ve ever read. So often our screenwriting books are dry, bullet-pointy affairs. This is not. This is a book to immerse yourself in. It’s a book you will learn a lot from whilst, I hope, having actually enjoyed reading it.

Can You Teach Screenwriting?

 Guest Post by Anthony Povah

A few eyebrows were raised recently when Hanif Kureshi summed-up creative writing courses as ‘a waste of time’ – especially given that he teaches one of them. Now, it’s not for me to argue with the revered novelist, but imagine if this attitude pervaded other professions:

“Yes, the brain tumour is perfectly operable… Dr. Smith will be performing the surgery. No… he didn’t go to medical school… thought it would constrict his creativity as a surgeon…”

class of uni studentsI know it’s a ludicrous example, but why would anyone serious about writing reject opportunities to learn? Now, I’m not suggesting everyone signs up for MAs in Creative Writing, and I get worried when I see courses called ’10 secrets to making it in Hollywood’. But to succeed, you need to be open-minded about creative writing courses and actively seek out opportunities to work with others.

There’s lots of options out there, so you should be able to find something that works for you. For me it’s short courses, and I recently completed a fantastic two-day workshop in Salford run by ex-Corrie storyliner Gill Creswell (www.storylining.co.uk).

Gill called day one “a Masters in a morning” and covered the fundamentals of story structure before sharing the framework TV execs use to deconstruct the three-act structure. To ‘bring it alive’, we then used it to analyse an episode of ITV drama ‘Mrs Biggs’.

In the afternoon, each participant was asked to pitch an idea for a short feature that we could develop as a group during day two. So, I pitched an existential drama set in a nursing home. I thought it was fantastic; the protagonist was an elderly lady struggling with the choice of carrying on living or taking her own life. Gill paused… gently demolished my idea with just three words – ‘who’s the antagonist?’ – and completed my lesson in structure.

We kicked off day two by voting for which idea to develop. Needless to say, mine wasn’t chosen – which was just as well as the one that won was excellent. We were then plunged into a day of group story development, building the feature scene-by-scene using the techniques learned on day one within a writers’ room environment.

Which brings me onto the most important thing I learned: if you want to succeed, you better learn to play nice with others. Regardless of medium, collaborative storylining is now the norm and in order to get produced, you’ll have to withstand the critical eye of other writers, producers and execs. So learn how they think and how to working collaboratively.

Luckily, there was a great mix of writers on my cohort: two published novelists, a playwright, a journalist, a screenwriter (myself) and a novice keen to learn about the writing process (indeed, we found that the techniques Gill taught apply equally to TV drama, soaps, features, novels or plays).

I had a fantastic two days. I love playing with other writers and more seriously, making contacts with people who can help develop my career. The atmosphere was fun and supportive; I got to work with some great people, learned a lot about structure and came away motivated to keep writing.

Writing can be a solitary pursuit, but becoming a successful writer – whatever your goals – isn’t. Checking out different techniques, sharing experiences and learning to work collaboratively is crucial to developing your career. So hunt out opportunities, then get out there and learn, share and grow.

About Anthony: Born in Liverpool, Anthony Povah has been an environmental campaigner, jewellery salesman, jazz musician and international arms dealer. He holds qualifications in economics, philosophy, management and the martial arts. This is all true. Anthony’s childhood love of writing was recently rekindled and he is currently looking for a studio to pick up his first TV drama series. He has completed several creative writing courses including ones led by Daragh Carville (Being Human, Smoke) and Gill Creswell (Coronation Street). Anthony is a client of Hayley McKenzie (Script Angel) and plans to complete a creative writing course run by the Open University later this year. He is married and lives in Lancashire.